Our daily encounters with spaces resides in the ordinary, often the primacy is given to the visual sense.  A space is not only the ceiling, walls, floor, or the configuration of the objects, but it has a wider context. It is not empty, but belongs to a community of people, and is filled with historical, cultural and geographical legacies, stories and memories. In this practice-based artistic research project we want to rebut the idea that a space is something static and unchangeable, which has important societal and artistic repercussions. We want to investigate spaces in their different shapes and forms, with a concern for the social conditions and the political context of spaces. Through close reading, historical analysis, ethnographic research and conceptual mapping, we are collecting data and found footage, subsequently to transform physical spaces to places for spatial narratives. We allow people’s narratives to enter, and dialogue. Key to this project is our insider position, to become more personally acquainted and intimate. By immersing ourselves into a space or situation, spending intense periods of listening, looking, and sensing, we won’t remain observers. Within the tradition of the poetics of noticing initiated by philosopher Henri Lefebvre, writer Georges Perec and others, we will design creations and strategies to represent things which are below the surface, in order to produce a multitude of spatial narratives, in which existing and newly generated ones lead to new perceptions and experiences. In this multi-layered spatial narrative, we would like to invite the viewer to immerse, engage and participate. We avoid the idea of the maker who is not present, but we are participants, and therefore we can influence a given situation. The artist is a mediator who makes us aware of the presence of these narratives and creates new ones, through the relation he constructs on location, and the relations he makes visible.